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  1.  11
    King Solomon in Bed, Archbishop Hincmar, the "Ordo" of 1250, and the Stained-Glass Program of the Nave of Reims Cathedral.Meredith Parsons Lillich - 2005 - Speculum 80 (3):764-801.
  2.  12
    Hilary Wayment, The Stained Glass of the Church of St. Mary, Fairford, Gloucestershire. (Occasional Paper, n.s. 5.) London: Society of Antiquaries, 1984. Paper. Pp. xii, 115; 5 figures, 8 color plates, 74 black-and-white plates. £18. [REVIEW]Meredith Parsons Lillich - 1987 - Speculum 62 (2):520-521.
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  3. Javier Martínez De Aguirre Aldaz and Faustino Menéndez Pidal De Navascués, Emblemas heráldicos en el arte medieval navarro.(Arte, 27.) Pamplona: Gobierno de Navarra, Departamento de Educación, Cultura, Deporte y Juventud, 1996. Pp. 475; 412 black-and-white and color plates and tables. [REVIEW]Meredith Parsons Lillich - 1999 - Speculum 74 (4):1090-1091.
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  4.  14
    Peter A. Newton, with Jill Kerr, The County of Oxford: A Catalogue of Medieval Stained Glass. London and New York: Oxford University Press, for the British Academy, 1979. Pp. xxiv, 246; 63 plates ; 1 map and several tables and line drawings. £70; $198. [REVIEW]Meredith Parsons Lillich - 1981 - Speculum 56 (2):460-461.
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  5.  16
    Terryl N. Kinder, ed., Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson. (Medieval Church Studies, 11; Studia et Documenta, 13.) Turnhout: Brepols; n.p.: Cîteaux: Commentarii cistercienses, 2004. Paper. Pp. xi, 409 plus color plates; many black-and-white figures and 1 table. €150. [REVIEW]Meredith Parsons Lillich - 2006 - Speculum 81 (1):214-216.
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